2025-26 Classics Series
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Featured RecurringMozart’s Violin
Kleinhans Music Hall 3 Symphony Circle, Buffalo, NY, United StatesContinuing our Mozart Festival, enjoy works by two peers: Joseph Bologne's jaunty Symphony No. 2 and Maria Theresia von Paradis's Overture to The School Candidate, her sole surviving orchestral piece, in commedia dell'arte form. Mozart's five violin concertos, composed in 1775, culminate in a Fifth that is imaginative and technically challenging. The fiery "Haffner" Symphony, honoring a former Salzburg patron, is bold and regal.
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Featured RecurringMozart’s Violin
Kleinhans Music Hall 3 Symphony Circle, Buffalo, NY, United StatesContinuing our Mozart Festival, enjoy works by two peers: Joseph Bologne's jaunty Symphony No. 2 and Maria Theresia von Paradis's Overture to The School Candidate, her sole surviving orchestral piece, in commedia dell'arte form. Mozart's five violin concertos, composed in 1775, culminate in a Fifth that is imaginative and technically challenging. The fiery "Haffner" Symphony, honoring a former Salzburg patron, is bold and regal.
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Featured RecurringShostakovich No. 5
Kleinhans Music Hall 3 Symphony Circle, Buffalo, NY, United StatesComposed to acknowledge an honorary degree despite not attending university, a mischievous Brahms penned the tongue-in-cheek Academic Festival Overture, featuring boisterous student drinking songs. Del Águila's Concierto en Tango for Cell and Orchestra is a modern take on the traditional form, light-hearted and rhythmic. The forced optimism of Symphony No. 5, glorifying Stalin's regime, proved both career- and lifesaving for Shostakovich.
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Featured RecurringShostakovich No. 5
Kleinhans Music Hall 3 Symphony Circle, Buffalo, NY, United StatesComposed to acknowledge an honorary degree despite not attending university, a mischievous Brahms penned the tongue-in-cheek Academic Festival Overture, featuring boisterous student drinking songs. Del Águila's Concierto en Tango for Cell and Orchestra is a modern take on the traditional form, light-hearted and rhythmic. The forced optimism of Symphony No. 5, glorifying Stalin's regime, proved both career- and lifesaving for Shostakovich.
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Beethoven’s Fifth
Kleinhans Music Hall 3 Symphony Circle, Buffalo, NY, United StatesFour notes instantly recognizable across generations welcome back the much-loved Symphony No. 5 to the Kleinhans stage. Dance Symphony's rhythmic jazz motifs were drawn from an evocative Copland ballet about a morbid conjurer who could raise the dead and make them dance. Beethoven expands on Mozart's influence in his Piano Concerto No. 1, featuring challenging key changes and bold harmonies.
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Beethoven’s Fifth
Kleinhans Music Hall 3 Symphony Circle, Buffalo, NY, United StatesFour notes instantly recognizable across generations welcome back the much-loved Symphony No. 5 to the Kleinhans stage. Dance Symphony's rhythmic jazz motifs were drawn from an evocative Copland ballet about a morbid conjurer who could raise the dead and make them dance. Beethoven expands on Mozart's influence in his Piano Concerto No. 1, featuring challenging key changes and bold harmonies.
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Tchaikovsky Meets Elfman
Kleinhans Music Hall 3 Symphony Circle, Buffalo, NY, United StatesA myriad of eclectic instruments—including pots, pans, and metal gadgets—accompany world-renowned percussionist Colin Currie and his acclaimed BPO ensemble in performing Danny Elfman's offbeat, idiosyncratic Percussion Concerto, composed without brass or woodwinds. Tchaikovsky's Fifth Symphony, once plagued by poor reviews and personal self-doubt, endures as a beloved, emotionally lyrical masterpiece, proving its timeless appeal.
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Tchaikovsky Meets Elfman
Kleinhans Music Hall 3 Symphony Circle, Buffalo, NY, United StatesA myriad of eclectic instruments—including pots, pans, and metal gadgets—accompany world-renowned percussionist Colin Currie and his acclaimed BPO ensemble in performing Danny Elfman's offbeat, idiosyncratic Percussion Concerto, composed without brass or woodwinds. Tchaikovsky's Fifth Symphony, once plagued by poor reviews and personal self-doubt, endures as a beloved, emotionally lyrical masterpiece, proving its timeless appeal.
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Brahms & Bruch
Kleinhans Music Hall 3 Symphony Circle, Buffalo, NY, United StatesTwo English folk songs form George Butterworth's idyllic The Banks of Green Willow, premiered just two years before the promising young composer's demise in the trenches of World War I. German Max Bruch, captivated by Scottish traditions, wove these melodies into his violin showpiece, Scottish Fantasy. Meanwhile, Brahms' expressive Symphony No. 1, finely dubbed "Beethoven's Tenth," gestated for 22 years due to his remarkable perfectionism.
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Brahms & Bruch
Kleinhans Music Hall 3 Symphony Circle, Buffalo, NY, United StatesTwo English folk songs form George Butterworth's idyllic The Banks of Green Willow, premiered just two years before the promising young composer's demise in the trenches of World War I. German Max Bruch, captivated by Scottish traditions, wove these melodies into his violin showpiece, Scottish Fantasy. Meanwhile, Brahms' expressive Symphony No. 1, finely dubbed "Beethoven's Tenth," gestated for 22 years due to his remarkable perfectionism.